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Many religions emphasize that one who has faith in God will benefit from His graces. It is evident through his play that Samuel Becket, the author of Waiting for Godot, has his strong doubts about the matter. Vladimir and Estragon, the two protagonists of the play, wait endlessly on the empty country road for Godot, the character Beckett creates to represent God. By failing to reveal Godot at any point throughout the entire play, Beckett is not only expressing his own lack of faith and his disbelief in a higher being such as God, he is also advising the reader or audience not to waste his or her time with such an absurd concept as God.
Many readers of Beckett's play have either been under the assumption or have had the opinion that Godot represents God. The tie between the character of the play and God is revealed through the discussion of the white beard, a physical characteristic shared by both figures. The first and only time Lucky talks, he is addressing Vladimir and Estragon, and he immediately mentions "God… with [a] white beard" (Beckett 45). The connection occurs at the end of the play, after Godot has failed to appear for the third apparent time, when Vladimir is discussing Godot's physical appearance with the boy, apparently Godot's messenger
Vladimir (softly). Has he a beard, Mr. Godot?
Boy Yes Sir.
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Vladimir Fair or… (he hesitates)… or black?
Boy I think it's white, Sir. (106)
This is a parallel that so often seems to go unseen by those who try to deny that Godot represents God. Yet, there would be no other reason why Beckett would include this correlation other than to link Godot's character with God. Additionally, Beckett intends to convey his opinion that anyone is foolish to waste his or her time with such an absurd concept as God by representing Estragon and Vladimir as society as a whole, rather than two individual characters "at this place, at this moment of time, all mankind is us, whether we like it or not" (0). By relating the characters to society, Beckett expresses to his audience that it is not only his two characters who have wasted their time in 'idle discourse' by waiting for God, but rather that there are countless people worldwide who wait without receiving the benefit they expect to eventually receive.
Both Vladimir and Estragon show their interest in religion throughout the entirety of the play, but are never rewarded for their faith towards God. They wait idly for days together with hope as their only motivation that Godot will eventually com "What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come" (1). The two characters make multiple references to religious figures such as Christ, Cain, Abel and others throughout the play. Such biblical allusions support the notion that Waiting for Godot has much to do with religion, and that Godot indeed represents God. Vladimir and Estragon remain by the willow tree for the entirety of the play, relentlessly waiting for Godot symbolically God for two days, both of which are monotonous and strangely identical to each other. It is through the fact that they are never once rewarded for their faith in his arrival that Beckett expresses his conviction to the audience. Beckett stages this irony to show his existentialist philosophy that it is absurd and unnecessary to have faith in God, and that one is doing nothing but wasting time when he is waiting for guidance or support from a higher power such as God.
As the play progresses, the hope that Godot will appear diminishes gradually for Vladimir and Estragon. Both acts end with the words of Vladimir and Estragon contradicting with their actions. They decide to go, losing hope and faith in Godot. However, the audience is able to see that they are hopeless and have nowhere to go as they remain motionless by the same willow tree. The two characters wait for days on end and willingly shelter themselves from the rest of the world as Godot, who will "come to-morrow, without fail" (105), consistently fails to appear at all. Their only hope seems to be instilled in Godot's character, yet Godot fails to appear at all. Therefore, since the only hope they have is in a false character, they really have absolutely no hope at all. Their existence is pointless, which is obvious as Estragon suggests to Vladimir "What about hanging ourselves?" (1). Despite the fact that what happens after the play has finished is up to the mind of the reader, little if any hope is left with Estragon and Vladimir for Godot's appearance. The audience feels an incredible lack of satisfaction at the conclusion of the play since Vladimir and Estragon are still left waiting for Godot. It is as if they have gone in two complete circles and done nothing except waste time. This is precisely Beckett's intent with the play to make the audience realize that waiting around for God is a complete waste of time.
Through his play, Samuel Beckett ultimately wants to emphasize to the reader that it is pointless to hold a strong faith in God. He has created two characters who are waiting for Godot, a significant figure in their lives who fails to appear at either of their scheduled meetings. Beckett makes Godot, who symbolizes God, into the antagonist of the play by having him keep Vladimir and Estragon waiting desperately and pointlessly for him. Again, Samuel Beckett creates the two characters of the play to represent all of mankind. In a view more broad than just the faith in the support and appearance of God, Beckett's message in Waiting for Godot could be applied in many different ways. We, as a society, could be waiting for Mr. or Mrs. right, for the job of our choice to have an opening, or simply for acceptance or recognition in whatever way we desire. It might never come, and in the end we very well may become stranded like Estragon and Vladimir. Through Godot's failure to appear in the play, Beckett is emphasizing his doubt in a God and expressing his opinion that it is pointless to "waste our time in idle discourse" (0), as Vladimir and Estragon have done, over whatever faith, dream, or aspiration we as a society may have.
Works Cited
Beckett, Samuel. Waiting For Godot. New York Grove Press, 18.
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