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Folk music had a history of being sympathetic to the working class citizen. This folk tradition which had been carried on in the 140's and 50's by Woody Guthrie and Pete Seeger became increasingly popularised and politicised in the late 50's and early 60's by people like Bob Dylan, Joan Baez, and Peter, Paul and Mary. Their new breed of folk music, a cross with rock 'n' roll, reached a far greater audience and had the youth listening.
Pete Seeger was a folk singer before, during, and after the war. He wrote many folk songs and is still currently writing. In 141 Seeger, Cis Cunningham and the Lomaxes formed a group called the Almanac Singers. Their aim was to bring social injustice to the awareness of others.
Woodie Guthrie was also a folk artist during and after WWII. He wrote over 1000 songs before his death in 167 from a nerve disease. 'Where Have All the Flowers Gone?' and 'This Land is Your Land' were two of Guthrie's protest songs.
In 16 a young artist by the name of Bob Dylan came onto the folk scene with his self-titled album. Woody Guthrie had a huge impact on Bob Dylan. Dylan even wrote a song called 'Song to Woody', which paid tribute to Guthrie. '…Im a-singin you the song, but I cant sing enough, Cause theres not many men that done the things that youve done.'
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But it was not Dylan's debut album, it was his second and third albums released in 164 that had songs of protest against the Vietnam War. 'Blowin' in the Wind', 'A Hard Rain's A-Gonna Fall', 'Only a Pawn in Their Game', and 'The Times are They are A-Changing' were all songs protesting war and racism.
'Blowin' in the Wind' was a song protesting the Vietnam War. It asks how long and how many dead soldiers it will take before enough is enough. '…Yes, 'n' how many deaths will it take till he knows, that too many people have died…' and '…Yes, 'n' how many times can a man turn his head, pretending he just doesn't see?' are lines from the song that ask those important questions.
'A Hard Rains A-Gonna Fall' was another of Dylan's anti-war songs. It told the story of a US soldier who had returned from Vietnam. He tells his father of the pain and suffering of war. He describes the desolation and desperation, the horror and the heartache '…I met a young woman whose body was burning…' and '…I met another man who was wounded with hatred…' . These strong lyrics touched the youth of America and challenged their parents thinking in relation to support and acceptance of war as a legitimate way of resolving conflict. Dylan also expressed the hope and love that all people held onto at the darkest of times.
'The Times They are A-Changin' is a song one that spoke for the entire youth population in America. The fourth verse in the song told the story plain and simple that the old and new were vastly different and the new was going to be the wave of the future. '…Come mothers and fathers…And dont criticize, What you cant understand, Your sons and your daughters, Are beyond your command…' he said.
These songs caught the ear of the youth of America and they could understand what he was saying. By 164, Dylan was considered a spokesperson for varying causes. He appeared at the rally where Martin Luther King had given his famous 'I Have a Dream' speech. Dylan performed at this rally along with Peter, Paul and Mary.
In January of 165, Dylan recorded tracks for his new album Bringing It All Back Home. This album was distinctively different from his previous four recordings it incorporated electric guitars and a full band, which popularised his music as rock, attracting a much bigger audience than folk. This change from straight folk to folk-rock would prove instrumental in gaining many more listeners.
As the Vietnam War got older and the anti-war message spread, Dylan was experiencing booming record sales. His third, fourth, fifth and sixth albums all went gold (sales of 500,000) and his greatest hits album, released in 166, went multi-platinum (,000,000+). This was evidence that millions were hearing his messages of political protest.
It wasn't just Dylan that was leading this folk movement up the pop charts. Under the influence of Joan Baez and Peter, Paul and Mary, folk was turning more politically explicit, becoming increasingly identified with civil rights and pacifism.
Joan Baez, who performed with Bob Dylan in London in 165, was a protest folk singer who made her opposition to the Vietnam War quite public. Not only did Baez sing anti-war songs; she also led rallies and marches opposing the war. In 164, she also withheld 60% of her income taxes, the amount determined used for military purposes.
Peter, Paul and Mary are a trio of folk singers that have made albums. They first came along at the same time as Bob Dylan, in 16. They were avid anti-war campaigners who wrote many protest songs.
"I was motivated by two things, by a really powerful vision of what might be in the world and an absolute belief that there was something that was achievable, and number two, by a very clear sense that I was in a position to be a player, along with Paul and Mary, and to try to articulate that vision and lobby for its actualisation
Peter, Paul and Mary were not only anti-war, but in their music they aimed to make the public aware of the exploitation of the underprivileged. Their song 'The Ballad of Spring Hill' made the public aware of the conditions coal miners worked in. '…There's blood on the coal and the miners lie…' made up part of the first verse .
There were also many other folk/protest artists of the early 160's. Some of these artists included Eric Andersen, a song-poet and recording artist who released 18 albums. He was discovered in San Francisco and got his start in Greenwich Village along with Phil Ochs and Bob Dylan.
Judy Collins, well known for her political songs was a participant in The Civil Rights Movement and in 164 went to Mississippi with the Caravan of Music. Woody Guthrie and Pete Seeger and the traditional music of the folk revival fired her passion for writing songs.
Phil Ochs was one of the musical spokesmen of the 160s. His song, 'I Aint Marchin Anymore' was one of the anthems of the anti-war movement. He was a committed activist who never gave up. Ochs was also a part of the Caravan of Music of Project Mississippi in 164.
When Dylan turned electric, it opened a whole new door for folk music. It was a new branch in the music tree and it was to be called folk/rock. Simon and Garfunkle, Country Joe and the Fish , the Byrds, the Mamas and Papas, and Tim Hardin helped give folk/rock an identity. Over a short space of time, protest songs shifted over to rock music. The Rolling Stones, the Who and the Kinks were straight rock artists who incorporated protest in their music. 'Satisfaction' , 'Well Respected Man' , and 'My Generation' were three of their songs of protest and rebelliousness.
From traditional acoustic protest music, folk was popularised through Bob Dylan, Joan Baez and Peter, Paul and Mary. Its popularity grew when Dylan introduced electric guitars and a full band to his music. Dylan's electric influence created a new music genre folk/rock. The protest songs that the artists above sang were specifically against the Vietnam War and general rebelliousness. After a short time, rock artists were taking up protest songs and putting them at the top of the charts
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