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He is white with English and Afrikaner parents. After some acting experience he started writing plays, almost always set in South Africa and steeped in the politics of the day (apartheid and now post-apartheid). However the politics never affects his insight into people. Like Tennessee Williams, Fugard creates characters with strengths and weaknesses which make them unable to fit into what society requires.
South African playwright Athol Fugard who is one of the premier playwrights of African theater uses the power of theater with passion and effectiveness. He feels that the purpose of theater is to be entertaining. An experience where one's heart and mind and all dimensions of heart and mind are excited when watching theater. He uses these passions to convey his message to the audience. He feels that the theater is the most heighten form of dialogue we have as humans.
Fugard started working in the late 150s with a group of actors in Johannesburg, including Zakes Mokae, who were influenced by Strasburgs method acting. Fugard wrote his first play No Good Friday and later his first international success The Blood Knot (which lead to his passport being withdrawn). These plays were performed in The Rehearsal Room
Fugards plays have been regularly premiered in fringe theatres in South Africa (non-segregated), London (The Royal Court Theatre) and New York. Some of his plays are grouped together The Port Elizabeth plays, the Township plays and the Statement plays. His latest play is The Captains Tiger.
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The best Athol Fugard plays
The least popular Athol Fugard plays
• Master Harold
• Sizwe Bansi is Dead
• The Road to Mecca
• Island
• Blood Knot • A Place with the Pigs
• Valley Song
• The Captains Tiger
• Nongogo
• Playland
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