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MODERN MOVEMENTS IN SCULPTURE
REALISM an attempt to describe human behaviour and surroundings or to represent figures and objects exactly as they act or appear in life. Realism is concerned directly with what is absorbed by the senses. It emerged in the mid-1th century France. Realist artists represented the subject matter of everyday life in a realistic mode.
CUBISM a movement in 0th century art, especially in painting, that was primarily concerned not
with life-like representation but with the depiction of subject-matter by breaking its form down to basic geometric shapes; by overlapping or interlocking these shapes. Cubist painters also attempted to depict objects from many angles not simultaneously visible in reality but arranged so as to form a unified composition. Because it fundamentally overturned the way in which subject matter had been depicted since the Renaissance, Cubism had profound and far-reaching effects on the development of art in the 0th century. Georges Braque and Pablo Picasso developed cubism. There are two types of Cubism; Analytical Cubism (which dates from about 110) and Synthetic Cubism (developed in about 11). In Analytical Cubism the artist took an analytic approach to subject matter, determining and painting the basic geometric shapes of which an object is composed. In Synthetic Cubism the artist created abstract compositions by juxtaposition of geometric shapes.
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FUTURISM Early 0th century movement in art that pointedly rejected all traditions and attempted instead to glorify contemporary life, mainly by emphasizing its two dominant themes, the machine and motion. The principles of Futurism were laid down by the Italian poet Filippo Tommaso Marinetti and published by him in a manifesto in 10. This movement involved a militant group of Italian poets, painters and sculptors. These artists published many manifestoes declaring revolution in art against all traditional tastes, values, styles and championing the modern age of steel, speed, the cleansing virtues or violence and war.
SURREALISM movement in literature and the fine arts, founded by the French poet and critic Andre Breton. Breton published his Surrealist Manifesto in Paris in 14 and consistently dominated the movement. Surrealism grew directly out of Dada, an art and literary movement reflecting nihilistic protest against all aspects of western culture. Like Dadaism, Surrealism emphasized the role of the unconscious in creative activity, but it employed the psychic unconscious in a more orderly serious manner. Surrealism incorporated the improvisational nature of its predecessor into its exploration of the ways to express in art the world of dreams.
KINETIC form of art, usually sculpture, in which movement is an integral part. The agent of that movement may be a current of air, water, clockwork or motorized mechanism, magnetic forces, or the actions of the spectator. Kinetic art is closely related to Op art in its concern with the perception of motion by visual stimulus. Kinetic art emerged in the second decade of the 0th century. The most prominent of its pioneers were Naum Gabo, Marcel Duchamp, Laszlo Moholy-Nagy, and Alexander Calder.
ABSTRACTION Abstraction in sculpture developed in the work of Constantin Brancusi, who reduced form to an ultimate degree so that the intrinsic beauty of materials and smooth shapes should become the essence of the work of art. In painting ad sculpture, emphasizing a derived, essential character that has only a stylized or symbolic visual reference to objects in nature.
POST MODERN Post Modern in sculpture means that nothing is new. The sculptures can either be recontextualised ( re-use materials to create a new work) or appropriated ( take an existing artwork and change it) or through the use of parody ( to make fun of).
HENRY MOORE
(188- 186)
British sculptor, draughtsman, and printmaker. Known principally for his large, semi-abstract sculptures of the Human Figure. He is considered as the most prominent British Sculptor of the 0th century, and his work had a strong influence on contemporary figural sculpture.
Moore was born in Castleford, Yorkshire on July 0, 188. He served briefly in the army and from 11- 11, he studied at the Leeds School of Art; from11-15 he attended the Royal Collage of Art in London. During these years, Moore took an interest in the sculptural traditions of Africa, Oceania and Pre- Columbian America as well as in the Paleolithic, Sumerian, Egyptian and Ancient Greek sculpture that he saw in the British Museum. Many of Moore's works during the 10's were highly abstract, consisting of simplified, rounded pieces carved from wood, with numerous indentations and holes often spanned with veils of thin metal wires, the most important and lasting influence on Moore's work was the world of nature. "The human figure," he later wrote, "is what interests me most deeply, but I have found principles of form and rhythm from the study of natural objects, such as pebbles, rocks, bones, trees, plants." In 1, Moore joined Unit One, a newly formed group of avant-garde sculptors, architects and painters, and in 140 was appointed Official War Artist. After his studio was bombed in 140, Moore moved to Perry Green, Much Hadham, a village in Hertfordshire. Six years later, his daughter Mary, and themes of the mother and child and family groups came into his work.
In the final years of his life, Moore devoted himself to drawing and printmaking. He died at Much Hadham on August 1, 186.
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