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Frankenstein
Oftentimes, when a film is created based on a novel, there are significant
modifications in the plot of the story. "Mary Shelley's Frankenstein", directed by
Kenneth Branagh, is one of those films. Based on the gothic horror novel
Custom Essays on Frankenstein
Frankenstein, written by Mary Shelley, there are a several parts of the film that
are not supporting of the novel. A couple of these parts would be the death of
Justine Moritz, the death of Caroline Beaufort, and the creation and destruction
of the female creature.
Starting with Justine Moritz, the events accompanying her death do not
agree in the novel and in the film. In the novel, when Justine is accused of the
murder of William, she confesses to the crime, believing that she will thereby
gain salvation, but tells Elizabeth and Victor that she is innocent and miserable.
They remain convinced of her innocence, but Justine is soon executed. In the
film, Justine is accused of the crime and then helplessly dragged to the center of
town and publicly lynched without a trial or even an explaination.
Reviewing Caroline's death in the novel and in the film, she died in two
totally different manners. In the film Caroline dies while giving birth to Victor's
brother William despite the best efforts of his father to save her and the baby. In
the novel, just before Victor departs from Geneva to attend the university in
Ingolstadt, Caroline catches scarlet fever from Elizabeth, whom she had been
nursing back to health, and dies. On her deathbed, she begs Victor and
Elizabeth to marry.
Another significant difference in the film and novel is the creation and
destruction of the female creature. In the novel, after careful persuasion by the
monster, Victor quickly sets up a laboratory in a small shack and devotes many
hours to working on his new creature. While working one night, Victor begins to
think about what might happen after he finishes his creation. He imagines that
the two creatures might have children, creating a race of devils...on the earth.
In the midst of these reflections and growing concern, Victor looks up to see the
monster grinning at him through the window. Overcome by the monsters
hideousness and the possibility of a second creature like him, he destroys his
work in progress. In the film, Victor creates the female creature in the same
laboratory he created the original monster, in Ingolstadt. On the female creature
in the film, is Elizabeth's head along with other female's body parts. He
completes her and gives life her. The female is torn between her feelings for
Victor and for the monster. When she sees her reflection in a mirror, her
hideousness is too much to bare so she sets herself on fire and darts out of the
room running down the halls catching everthing that she touches on fire and
commits suicide.
One thing holds true for both the novel and the film is that the pursuit of
knowledge is at the heart of Frankenstein, as Victor attempts to leap beyond
accepted human limits and access the secret of life. Likewise, Rober Walton
attempts to exceed previous human explorations by trying to reach the North
Pole. This never-ending pursuit of knowledge, of the light, proves dangerous, as
Victors act of creation eventually results in the destruction of everyone dear to
him, and Walton finds himself harmfully trapped between sheets of ice. So even
amidst all the discrepancy between Frankenstein and "Mary Shelley's
Frankenstein", there is still a common motif that they both share. Some
knowledge is better left unknown.
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