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Many aristocratic households during the Renaissance kept a court, and while Shakespeares comedies usually feature at least one, his tragedies sometimes have one as well. The purpose of the court jester, also known as a fool or clown, was to amuse his noble masters and to tell the truth when no one else would think of telling itbut usually in an amusing way that subtly hid the credibility of his statements. In both Twelfth Night and King Lear, court jesters play a key role in the plot. by relying on their dual nature, pretending to be simpleminded to get away with saying things that others would certainly be punished for, when in fact they demonstrate themselves to be highly intelligent professionals who know how to manipulate their masters and speak truth to power.
In King Lear, the fool observes human nature and embodies the principles of worldly wit and wisdom. He disguises his wit through songs and riddles. So the fool also gets things across by not directly stating what he means.
In the Shakespeare's plays the fool is deformed or mentally challenged, therefore he is perceived to have no intelligence whatsoever. But in reality, the fool often is the wisest and wittiest out of all the characters.
The fool in King Lear frequently made the other characters look like dupes due the poor choices or decisions that they made in the play. The fool acts not only as a sort of chorus, making the central situation clearer by commenting on it more intelligently than the other characters, but as a foil to Lears frenzies. His jokes, riddles and scraps of rhyme, and his endless digs at Lears high-minded folly are like a trickle of sanity running through the play. In this case, King Lear would be the fool because he lost all his power and was abandoned by his two eldest daughters all because of an unwise decision he made when he banished his youngest daughter Cordelia.
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In Shakespeare's Twelfth Night, the clown Feste earns his living by making pointed jokes, singing old songs, being generally witty, and offering good advice cloaked under a layer of foolishness. In spite of being a professional fool, Feste often seems the wisest character in the play. Feste manages to get himself out of problems by using his intelligence as well. In (I.V.61-6), Feste was on the verge of getting kicked out from Olivia's house, but Feste, summoning up all his wit and skill, manages to put Olivia into a better mood. He asks her why she is mourning, and she answers that she is mourning for her brother. He says that he thinks her brothers soul is in hell, and she replies that he is in heaven. The more fool, Madonna, to mourn for your brothers soul, being in heaven, he says and she responds approvingly (I.v.616). But Malvolio, Olivia's steward does not like Feste and asks coldly why Olivia wishes to keep a servant around who has no function except to poke fun at her. Olivia rebukes Malvolio for his self-love and says that Festes insults are only birdbolts that do no damage (I.v.777). If Feste were not perceived to be dim-witted he would have been punished for telling the lady Olivia that her brother is in hell.
In conclusion, the fool in King Lear and Feste in Twelfth Night possessed a hidden intelligence and wit from all the other characters. Unlike the other characters, these court jesters were able to speak out their minds without any repercussions as they were thought to be stupid and senseless by the other characters.
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