Thursday, October 15, 2020

Southern Living

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Southern Living


Set during the Depression in the depleted farmlands surrounding Augustus, Georgia, Tobacco Road was published in 1 by Erskine Caldwell. Tobacco Road is a dark-humored novel on the account of desperate, dirt-poor Jeeter Lester and his family. It is the story of the Lesters, a family of white sharecroppers so destitute that most of their creditors have given up on them. Debased by poverty to an elemental state of ignorance and selfishness, the Lesters are preoccupied by their hunger, sexual longings, and fear that they will someday descend to a lower rung on the social ladder than the black families who live near them. The main focus of the story is on Jeeter Lester who is the father of the family living on an old piece of land that used to be part of his grandfather's successful tobacco plantation, which was located on Tobacco Road. Tobacco Road, five nondescript lanes of pavement connecting Fort Gordon's Gate Five with Bush Field Airport that once a stretch of hard-packed sand linking Piedmont farmers with a small port on the Savannah River. The Lester family struck a chord in a country wracked by the Depression; they are so poor that they must either beg of steal to get any food. Their complete disregard for others can be shown through numerous events throughout the novel, such as Jeeter carelessly stealing a sack full of turnips from his son-in-law and running off to eat nearly the entire sack before returning to give the remains to his starving family. Unable to find work and unwilling to leave his family's tumbledown sharecropper shack on Tobacco Road for the cotton mill, Jeeter is a brutal, ragged man reduced to depravity and degradation.


Tobacco Road became a best seller and eventually a successful play and movie. In the process, it also entered everyday usage in the language as a reference to the poorest of the poor and as an image of the South during that period. Polite Southern society was aghast and Mr. Caldwell was famous. "I don't think he was trying to exploit stereotypes, he was trying to focus on the plight of the poor and focusing attention on less pleasant aspects of Southern life," said Hugh Ruppersburg, and English professor at the University of Georgia who has compiled anthologies on Georgia writers.


When you think of the South, what is the first thing that comes to mind? Do you think of barbecue and the blues, moonlight and magnolias, Scarlet and Rhett, or do you think of place and familywhere you grew up Sunday afternoons spent with relatives? The defining characteristics of Southern fiction are a sense of place and homehome is a potent word for a Southerner, a deep involvement with family and ritual, a celebration of eccentricity, a strong narrative voice, themes of racial guilt and human endurance, local traditions, a sense of impending loss, a pervasive sense of humor n the face of tragedy, and an inability to leave the past behind. Before the Civil War, ironically existing during the Jacksonian Age of the common man, a genre of writing developed that dealt almost exclusively with poor whites and served as to solidify the stereotypes that have remained until the present day. Southwestern humor can be credited with the origins of white working class as violent, ugly, ridiculously religious and socially backward. Many debates surround the writing of Erskine Caldwell; it is ambiguous as to whether this can be read as a call for social reform or merely cruel grotesques of the poor white class. However, considering his widespread appeal and the fact that he was usually referred to as a realist, we must assume that the audience that read him took his crass portrayals as truthful representations. This sense of melodramatic violence and the revelation of a scandalous anti-society carry an attitude of exposing with intent to shock and stigmatize, not to reform or aid. Caldwell emphasized the animal nature of man with his characters such has Jeeter Lester.


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There have always been two versions of the South, both wrongs. On the one hand there is the "Gone with the Wind South" bronze men in white linen suits, demure ladies with lace parasols, white-column mansions framed by magnolias, courtly black butlers named Melvin, and gentlemen who makes their own whiskey. On the other hand there is the "Tobacco Road South" sawmill towns, potbellied sheriffs, hillbilly singer, radio preachers, tin roofed chicken houses, and gentlemen who make their own whiskey. Southerners are good-natured, mostly, and they have put up with an inordinate amount of ridicule and stereotyping. The popular entertainment culture had dined out of the hayseed and the country bumpkin stereotypes. In America, the entertainment axis of Los Angeles and New York see the entire region of the South as "the country." Hence, all Southerners are country bumpkins by definition. Reinforcing this misperception are the news media that often report incidents like the Pearl, Mississippi High School shooting as somehow typical of the South. Added to this are the droll redneck jokes and the popular novel, which present repeatedly this "Tobacco Road" stereotyped image of the South.


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