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A CLOCKWORK ORANGE
In the book, A Clockwork Orange, by Anthony Burgess, there are two different published versions that have provoked a considerable amount of controversy amongst readers and critics. The difference between these two versions is in the endings. The first ending offers a more suitable, more appropriate ending. The second ending takes a profound turn from the main themes that the book revolves around. This is the most important reason why the novel seems to be more complete without the last chapter. Throughout the book, the main character Alex goes through various phases and transitions; first his transition from evil too good, and then his transition back. Chapter twenty thoroughly finishes off the book with a suitably consistent ending. This is the main difference between the two endings that entirely change the book, and its outcome.
The chapter twenty-one ending completely changes the reader's view of Alex. It seems as though the book is set up in such a way that Alex is brought back to his original way of thinking and living. Putting the chapter twenty-one ending in diverts the path on which the book is so clearly set. It is so inordinately different, the reader's first reaction is confusion, and is left with many conceivable questions. From chapter twenty, to chapter twenty-one, Alex has this incredible revelation in which Alex, within just a few paragraphs, matures, and grows up right before the readers eyes. The following quotation is from the very end of chapter twenty-one, where Alex first, fully realizes this momentous transition he has made.
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I kept viddying like visions, lie these cartoons in the gazettas. There was Your Humble Narrator Alex coming home from work to a good hot plate of dinner, and there was this ptitas all welcoming and greeting like loving... But I had this sudden very strong idea that if I walked into the room next to this room where the fire was burning away and my hot differ laid on the table, there I should find what I really wanted... For in that other room in a cot was laying gurgling goo goo goo my son... I knew what was happening, O my brothers. I was like growing up. (10)
Besides the extreme difference that lies between these two chapters, Alex himself actually seems happier at the end of the twentieth chapter. He seems to show a feeling of pride, as if he has overcome this large barrier that has stood in his way, and he has. 'The Ninth, ' I said, 'The glorious Ninth (178). This barrier that Alex has overcome, is all the times that Alex has been abused. Whether the abuse was a exclusively physical abuse, or emotional abuse, (like Alex experienced with the video tapes), he overcame it. Though the twenty-first chapter by no means maintains the same path as the other twenty, it is certainly arguable that the twenty-first chapter, is in fact, the more appropriate ending.
After reading the introduction, it becomes quite obvious that Anthony Burgess had a very clear idea of how he wanted the book to turn out, before he wrote it. There was a definite structure that he had in mind, and having twenty-one chapters, was a crucial component of this structure.
The twenty-first chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom operating in your chief character or characters. (viii)
This is a quotation from Anthony Burgess introduction, that explains his personal theory of why this book should have twenty-one chapters, and why Those twenty-one chapters were important, (vi) to him.
Neither of these two ending chapters seems to fully end, and complete this book, the twentieth chapter does a better job of this. It ends the story on a note that Alex has already experienced, and the reader has experienced with him, therefore correlating the end with something familiar, that the reader can easily identify with though the authors opinion on this subject must not go unnoticed and unmentioned, as a reader.
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