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Family
The idea of becoming a vampire has been embraced as a deviant alternative to fulfill a sense of youth because it offers eternal life and rebellion. Vampires target humans in order to suck their blood and provide nourishment for themselves. Most often families are targeted and destroyed, because the vampires are preoccupied by the idea of creating their own families. Vampires do not create families in the traditional sense, they follow no norms. Although vampires may have what they refer to as a family unit, there is no marriage involved. Marriage means monogamy and vampires are not monogamous, rather they are quite sexual, with both men and women. For this reason, vampires pose many threats to the traditional families.
In Stoker's Dracula, the threats Dracula poses are over Jonathan, Mina, and Lucy. Although Jonathan is engaged, in a committed relationship, he is tempted by three women. Had the women been able to carry out their plan of seduction, Jonathan would have easily fallen into their trap. It may be that Jonathan is hypnotized by Dracula, or by the women, who are Dracula's pawns. If Jonathan had fallen prey to the women, he would have jeopardized his relationship with Mina. But Jonathan does not fall prey to the women, but rather Dracula himself, which leaves him deathly ill and very confused. Mina has lost the Jonathan she once knew.
Dracula also targets virginal Lucy. Lucy already shows that she has a sexual side when she talks about marrying three men. "Why can't they let a girl marry three men, or as many want her, and save all this trouble?" (Stoker 68) Lucy's comment may mean that she would prefer to have more than one sexual partner, because perhaps one may not
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Family
be enough to satisfy her needs. Since Lucy mentions the word, "marriage", she attempts to legalize her need for multiple sexual partners. Lucy is engaged (to one man), but may be considered "damaged goods", since Dracula has been making nightly visits to her. Dracula's motive of targeting Lucy is to procreate, and make Lucy the mother of his child.
The threat of vampires does not end with Dracula- The Lost Boys also has one mastermind head vampire that poses a major threat to families. Max purposely targets fatherless children in order to become a surrogate father to them. He then uses them as puppets to do his "dirty work." According to Rob Latham, "The precise relationship between David's gang and Max is never fully made clear while Max is identified as the 'head' vampire who ostensibly uses David as his pawn to enslave other teens, the few scenes of them together suggest that Max is genuinely afraid of David and not entirely certain of his loyalty" (Latham 145). Just as "normal" teenagers rebel against their parents, who are their authority figures, so do David and his gang, against Max, who is their surrogate father. The teen vampires have a great deal of autonomy and do not necessarily need to follow all of Max's rules.
In order to complete his vampire family, Max targets Lucy and her sons. Max uses David and his gang to lure Michael into the world of vampires. Michael is not infected by being bitten, but rather by drinking David's blood. Michael's behavior after this incident resembles that of a drug-addict. Just as peer pressure influences teens to begin using drugs, similarly, David's gang influences Michael into the vampire
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"initiation." Drug addictions alone are a tremendous threat to families. The blackouts the victims experience are very much like hangovers that drug addicts experience. Drugs
have a sort of mind control over the users much like how vampires have control over their victims.
In Santa Carla, the teenagers are easy targets because they are mostly unsupervised and the parents appear to be neglectful. Latham argues, "...the members of the original '60s generation are depicted as...an easy-going generation of neglectful parents who have left their children ill-equipped to resist the blandishments of mass culture" (Latham 14). Michael and Sam's own mother is preoccupied by dating the head-vampire, and are thus left unsupervised for the majority of the time. According to Nina Auerbach, "Weist is so distracted by working and flirting that she abandons her boys to a vampire gang" (Auerbach 168). The divorced mother is so caught up in the act of courtship, that she unknowingly invites her vampire-boyfriend into her home and into her family. Ultimately it is the mother who is responsible for the destruction within her family because instead of protecting her children, she exposes her sons to danger.
The issues of sexuality and the dangers associated with it are carefully examined by Michel Foucault. He studies the shift from the ancient Greek to Classical Christian societies. Foucault discusses how sexual pleasure, although a legitimate part of the Greek social system, is still a source of conflict- especially as a part of social relations between the different social classes. Both Lucys (Dracula and The Lost Boys) are not married, but lead a sexual life. Young, virginal Lucy Westerna after her nightly visits from Dracula, becomes a sex vixen herself. But Lucy's sexual acts are represented
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through the sucking of blood. In Dracula, the symbolics of blood has been replaced with an association of sexuality. The vampire act of biting another is referred to as an "infection", and an infection is usually associated to some sort of a disease. Foucault argues, in regards to Greco-Roman thought of sexuality, "This disease, which is 'shameful in itself,' is 'dangerous in that it leads to stagnation; harmful to society in that it goes against the propagation of the species'" (16). This belief is similar to that of Christian society. Losing one's virginity to the sexual act (or the symbolism of sex), will lead to shame, danger, and ultimately will destroy families and societies. Lucy destroys not only her own life, but that of her fiance (her family), her friends, and anyone she makes her victim.
Lucy from The Lost Boys, although is a divorced mother of two teenage sons, still pursues a relation that would be most likely sexual with the head vampire. Foucault argues that "One already notes a certain association of sexual activity with evil" (15). In the case of Lucy and Max, their sexuality is definitely associated with evil. If Lucy had taken the relationship with Max further, she would surely have jeopardized the lives of her family, including her own. Although Lucy's affair would not be extra-marital, since she is divorced, her sexual relations would still be wrong, as an unmarried woman.
According to Foucault, the Christian belief regarding abstinence is "...renunciation can give access to a spiritual experience of truth and love that sexual activity excludes" (0). This principle would mean that sex and love do not go "hand in hand", it is one or the other. If one participated in sexual activity, in which the goal is not to procreate, it would mean that individual became part of something that is loveless and
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spiritless. All in all, being sexual is evil, in that if it is not used to procreate and build families, it is used to break down families.
Just as in Dracula, the vampire targets Lucy to create a "family", Max also targets Lucy to complete his own family. Max states to Lucy, "Boys need a mother." Before Max met Lucy, it was just him and his boys (David and his gang). Similar to the Brady bunch, it is the story of two families (almost) merging into one. Michael's vampire brothers coerce him into becoming one of them. "Drink some of this Michael. Be one of us." Michael follows the lead of the gang in order to rebel, and that is the reason for his new ear piercing. The vampires try to lure Michael in with an offer that is difficult to refuse, "You'll never grow old, you'll never die."
Auerbach argues that, "Max's exposure as head vampire not only indicts the careless sexuality of the mother who exposes her sons to danger; it undermines the autonomy of the vampires themselves" (Auerbach 168). Just as Lucy from The Lost Boys not only endangers herself, but her family as well, so does Lucy from Dracula. In the beginning, Lucy is unaware of her visits from Dracula and the consequences she will have to endure. Lucy from The Lost Boys also has a sort of mind control over her that she is unaware of what is occurring within her family. Max's charm is the control he uses over Lucy. Had it not been for Lucy's preoccupation with dating, it would be difficult to lure Michael into the world of vampirism.
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