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Everlasting Love
Andrew Marvell was known for his work with carpe diem poetry. His poem entitled "To His Coy Mistress" is an interesting example of the carpe diem style Marvell used. In "To His Coy Mistress" Marvell makes use of allusion, metaphor, and brilliant imagery in order to express a mood of everlasting love and defying the boundaries of time. Other poems such as "Corinna's Going A-Maying" by Robert Herrick are along the same lines as Marvell's carpe diem poetry. However, there are some important differences to be noted.
Herrick's poem stressed the importance of time and making use of it, similar to the way Marvell did. However, Herrick's poem differed in that he used many springtime images, and references. For example, "Each flower has wept and bowed toward the east…"(line 7) and "The dew bespangled herb and tree,"(line 6) reflects Herrick's use of springtime images. Also, all through the poem Herrick made reference to the Gods of nature, such as Apollo the god of the sun and Aurora the goddess of the dawn. This was different in Marvell's "To his Coy Mistress" because he began his poem by stating how he wanted to love his lady if, "Had we but world enough and time,"(Line 1). Rather than beginning with a concept of death or all of the beautiful things going on in nature, Marvell chose to expand on his love, and how his wished it could beeverlasting and untouched by time.
The main theme in Andrew Marvell's "To His Coy Mistress" is man's limited time on Earth. His focus was completely on the passion he had for his lady, rather than the passion Herrick had for nature. Marvell began to slow the passage of time within his own poem by speaking of past and future events on a large scale. For example he stated, "I would love you ten years before the Flood, and you should if you please, refuse till the conversion of the Jews,"(Lines 7-10). Marvell is making reference to the Flood, which occurred sometime after creation, and to the end of the world, which is when the Jews were supposed to be converted. This form of allusion was used to take the focus away from the underlying outcome that is unavoidable.
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Andrew Marvell used a powerful metaphor in lines 11-1 which stated, "My vegetable love should grow, Vaster than empires, and more slow." The image here is of a slow growing vegetable, similar to a thick vine, which with every inch it grows thicker and longer slowly taking over large spaces. The image of Kudzu, a vine that takes over all trees, flowers, and grass until it eventually covers everything in sight like a thick blanket, leaving no spaces forgotten is evoked by this metaphor. It does grow, "Vaster than empires." It is also interesting to note that time is not important to the plant. Since, Marvell's point is to take the focus off impending death, his used an example of a plant or vegetable that has no record of time.
The first half of the poem is dedicated to slowing time or almost stopping it completely. Marvell used exaggeration to show that with more time he would love his lady with no boundaries. He stated, "An hundred year should go to praise thine eyes, and on thy forehead gaze; two hundred to adore each breast,"(Lines 1-15). It is not possible to imagine such a long time frame; therefore Marvell's point is made when he goes on to the next part of the poem in which death is near. "Time's winged chariot hurrying near,"(Line ) is used in reference to death and time running out, a subject that Marvell has worked hard to ignore. He also used another metaphor to explain what happens after death by stating, "Deserts of vast eternity,"(Line 4). This image is very depressing and very large considering it is the smallest sentence in the poem. It is the most vivid image in the poem however, because it is an image of complete nothing. We get images of heat, sand, despair and miles and miles of absolutely nothing, which is a little terrifying to say the least. This metaphor is similar to that of Herrick's in the last stanza of "Corinna's Going A-Maying" when he stated, "And as a vapor or a drop of rain. Once lost can never be found again,"(Lines 6-64). Herrick is referring to death and how our lives are just little specks in the grand scheme of life and the world. Again, the image is depressing and a very small comparison between a drop of rain and a life.
The rhyme scheme in "To his Coy Mistress" is perfect rhyme or true rhyme. For example each pair of sentences rhymes with the next. Lines 1 and rhyme (time and crime), while lines and 4 rhyme (way and day) and lines 5 and 6 rhyme (side and tide) this pattern goes on until the last two lines (sun and run) which rhyme. This is the same rhyme scheme that is seen in Herrick's poem. Lines 1 and rhyme (morn and unshorn), while lines and 4 rhyme (fair and air) and finally lines 5 and 6 rhyme (see and tree) and so forth. The effect of this simple rhyme scheme is that it limits the poet's choice of words. Line one must always rhyme with line two so therefore the poet is limited with what he can say. The same is almost true for the syllables in the lines. Marvell's poem started off with seven syllables in the first two lines and the eight in the next two, then back to seven. There seemed to be a pattern there, however a few lines (such as line 11) do not follow the pattern. This could just be the way the words are pronounced now, as opposed to in the 1600's. Herrick's poem also takes the same format with his syllables. Lines 1 and have the same syllables (10), and lines and 4 have the same syllables (7) and so forth. The only differences found were those of the verses. In Herrick's 5-stanza poem, all of the verses have a close at the end always saying something with "go A-Maying" at the end. This acts as a conclusion to each stanza. However, Marvell's -stanza poem does not do that, rather it has a beginning, middle, and ending to close the stanzas.
Everlasting love what the poet Andrew Marvell is focusing on. He does not wish to give time his love; rather he wishes to destroy it so that he can love that way he wants to love. This idea is prominent in his poem "To his Coy Mistress" which is a carpe diem poem. It is similar to that of Robert Herrick's "Corinna's Going A-Maying" in that it is also a carpe diem poem, with similar rhyme schemes. Andrew Marvell used the same theme in a different way by referring to his love rather than to nature the way Herrick did. Using the methods talked about earlier, Marvell created a sense of timelessness and a feeling of outsmarting death.
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